Traditional Balinese Creativity
The Balinese are surrounded by art throughout their lives as art is omnipresent in Bali. They make art out of the most basic necessities in their daily lives. However, artistic knowledge is not commissioned only to a special intellectual class, but is open to everyone at all levels. Painting, sculpture, carving and music have traditionally been the province of men, while women channeled their creative energy into creating lavish offerings to the gods. In every festival, you can see spectacular pyramids of flowers, fruit, and cakes up to two meters high, constructed with such love and adoration that it could only be meant for a higher being. Although a religiously regarded practice, Balinese art does not serve religion solely. Bemos, jackets, menus, motorcycles, hotel doorways and other objects are decorated with sacred symbols. They do not view this use as sacrilegious. It is incredible to see so many people in such a small area pour so much energy into creating beautiful things.
Bali Wood Carving
The Balinese sculpture with natural media - wood, stone, bone, horn, deadwood, and even gnarled tree roots. Nowadays, souvenir-caliber wood carving is churned out and successful creations are mass produced. Any visitor to Bali is likely to be exposed to wood carving in all forms, be it the traditional ornate carved doors, the carved figures of gods, or the countless carved items in craft shops. Wood carving is a craft practiced all over Bali. Open your ears to the tapping sound of the carver's mallet and you would know that there is one around. It would be taxing to separate traditional and foreign influences. However, Balinese are intense observers of the outside world, effortlessly incorporating and adapting foreign themes into their work. For quality wood carving, head to Tegallalang, Pujung, and Sebatu, which is north of Ubud. It is a great area to meet woodcarvers; it is best to take note of the artist's name and visit him at the workshop to negotiate a better price. Bali is a perfect place for western artists to study their crafts. There are wood carving lessons in which you can learn to carve your own mask in about three weeks.
Bali Stone Carving
The technique used in stone carving is very much the same as wood carving since soft volcanic rock is used. Stone carving is relatively unaffected by tourist consumerism as most pieces are too exorbitant to ship. You can vividly see stone carving skills in the distinctive split gates, swirling stone friezes, and absurd and menacing mythological statuary. The centers for stone carving are Kapal and Batubulan. Although stone carvings were mainly used to decorate temples and palaces, the carvers had much more leeway in their use of subject matter than the artists and illustrators. There is little difference between the iconography decorating temples and that of private buildings. Gateways represent the dividing line between the inner and outer worlds, and as such are the recipients of some of the most fantastic carvings. As well as portraying deities and demons, the carvers included many scenes from public life and there are many temple surfaces enriched with the antics of the Dutch Colonialists, including scenes of bicycles, drunken parties, car break-downs and even airplanes. Bali's modem-day centre of stone carving is the village of Batubulan, situated halfway between Denpasar and Gianyar. Although you can see excellent examples of Balinese stone carving all over the island, the temples in the North tend to bc much more creative (with the exception of Pura Puseh in Batabulan).
Bali Textiles
One of the most striking things about Bali is the rich variety of cloths and materials that are to be seen in thousands of shops throughout the island. However, only a small proportion of these are indigenous to Bali. The myriad of batik clothes and sarongs available everywhere are mainly imported from Java. A large proportion of the woven cloths (Ikat) round in and around the Kuta / Legian area, are imported from the islands of Sumba and Flores. However, Bali does have a very rich textile industry of its own. The beautiful Songket fabrics wom by performers of traditional dance are a good example. In Songket, gold and silver threads are woven into the cloth to create complex motifs of birds, butterflies and flowers. Sometimes they use so much gold and silver that the underlying cloth is barely visible. The first kind of textile that you will find in Bali is batik, which is popular among tourists and locals alike. There is every imaginable style and quality that you can chance upon throughout the island, but it is surprising that batik is actually produced in central Java and then shipped to Bali. Bali's own home-produced cloth is a weft ikat called endek. Ikat is made by tying the weft threads of a cloth before it is woven and then dying them so that the tied areas do not absorb the dye. The cloth is then woven and the pattern, created by the tying of the threads, emerges. This cloth is not very popular with visitors but is indispensable to the locals. Authentic ikat is made of silk but cotton and synthetic yarns are also widely used. Also, keep a look out for kain prada, fabrics woven of silk or cotton and decorated with silver or gold threads or gold leaf. These colorful kerchiefs are worn by temple girls during festivals and take three weeks to a month to weave.
Bali History and Culture Bali in the Past
Although there are no artifacts or records dating back to the Stone Age, it is believed that the first settlers on Bali migrated from China around 2500 B.C. By the Bronze era, around 300 B.C.,a fairly evolved culture already existed on Bali. The complex system of irrigation and rice production, still in use today, was established around this time. It appears that the main religion around 500 A.D. was predominantly Buddhist in influence. In 670 A.D., a Chinese scholar (Yi-Tsing), on a trip to India, reported that he had visited a Buddhist country called Bali. It wasn’t until the 11th century that Bali received the first strong influx of Hindu and Javanese cultures. With the death of his father around AD 1011, the Balinese Prince, Airlanggha, moved to East Java and set about uniting it under one principality. Having succeeded, he then appointed his brother, Anak Wungsu, as ruler of Bali. During the ensuing period there was a reciprocation of political and artistic ideas. The old Javanese language, Kawi, became the language used by the aristocracy, one of the many Javanese traits and customs adopted by the cause. Bali Scenery
With the death of Airlanggha, in the middle of the 11th century, Bali enjoyed a period of autonomy. However, this proved to be short-lived, as in 1284 the East Javanese King Kertanegara, conquered Bali and ruled over it from Java. In 1292, Kertanegara was murdered and Bali took the opportunity to liberate itself once again. However, in 1343, Bali was brought back under Javanese control by its defeat at the hands of Gajah Mada, a general in the last of great Hindu-Javanese empires, the Majapahit. With the spread of Islam throughout Sumatra and Java during the 16th century, the Majapahit empire began to collapse and a large exodus of aristocracy, priests, artists and artisans to Bali ensued. For awhile Bali flourished and the following centuries were considered the Golden Age of Bali’ cultural history. THE EUROPEAN INFLUENCEThe first Dutch seamen set foot on Bali in 1597, yet it wasn’t until the 1800’s that the Dutch showed an interest in colonizing the island. In 1846, having had large areas of Indonesia under their control since the 1700’s, the Dutch Government sent troops into northern Bali. In 1894, Dutch forces sided with the Sasak people of Lombok to defeat their Balinese rulers. By 1911, all the Balinese principalities had either been defeated in battle, or had capitulated, leaving in the whole island under Dutch control. During World War II, the Dutch were expelled by the Japanese, who had occupied Indonesia from 1942 to 1945. After the Japanese defeat, the Dutch tried to regain control of their former colonies, but on August 17, 1945, Indonesia was declared independent by its first President, Sukarno. Balinese people
Balinese People and Population
Life in Bali is very communal with the organization of villages, farming and even the creative arts being decided by the community. The local government is responsible for schools, clinics, hospitals and roads, but all other aspects of life are placed in the hands of two traditional committees, whose roots in Balinese culture stretch back centuries. The first, Subak, concerns the production of rice and organizes the complex irrigation system. Everyone who owns a sawah , or padi field, must join their local Subak, which then ensures that every member gets his fair distribution of irrigation water. The other community organization is the Banjar, which arranges all village festivals, marriage ceremonies and cremations. Most villages have at least one Banjar and all males have to join one when they marry. Banjars, on average, have a membership of between 50 to 100 families and each Banjar has its own meeting place called the Bale Banjar. As well as being used for regular meetings, the Bale (Pavilion) is where the local gamelan orchestras and drama groups practice. Bali's population has grown to over 3 million people the overwhelming majority of which are Hindus. However, the number of Muslims is steadily increasing through immigration of people from Java, Lombok and other areas of Indonesia who seek work in Bali. Most people live in the coastal areas in the South, and the island's largest town and administrative center is fast growing Denpasar with a population of now over 370,000. The villages between the town of Ubud and Denpasar, Kuta (including Jimbaran, Tuban, and Legian, Seminyak, Basangkasa, etc), Sanur, and Nusa Dua are spreading rapidly in all directions, and before long the whole area from Ubud in the North to Sanur in the East, Berawa/Canggu in the West, and Nusa Dua in the South will be urbanized.
Bali Economy
This southern part of Bali is where most jobs are to be found, either in the hotel and tourist industry, the textile and garment industry, and in many small scale and home industries producing handicrafts and souvenirs. Textiles, garments, and handicrafts have become the backbone of Bali's economy providing 300,000 jobs, and exports have been increasing by around 15% per year to over US$400 million. Textiles and garments contribute about 45%, and wood products including statues, furniture and other handicrafts 22% to the province's total income from exports. Silver work is ranked third (4.65%) with 5,000 workers employed. Main buyers are the US and Europe with 38% each, and Japan with 9%. Important agricultural products besides rice are tea, coffee, tobacco, cacao, copra, vanilla, soy beans, chilies, fruit, and vegetable (there are now even vineyards near the northwest coast). Bali's fishing industry and seaweed farming provide other products which are important exports. The new free-trade regulations will create some problems for Bali's exporters as they do not allow to employ children. Most children here work for their parents, and this is part of the process of acquiring professional skills and kind of an informal education which has been very important in the Balinese society for centuries.
